Sanchi Stupa - सांची स्तूप
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Located on the foot of a hill-- Sanchi is just 46 kms. from Bhopal. It is more of a village than a town. Sanchi is a religious place with historical and archaeological significance. Sanchi is known for its Stupas,monasteries,temples and pillars dating from the 3rd century BC to the 12th century AD The most famous of these monuments,the Sanchi Stupa 1,was originally built by the Mauryan Emperor Ashoka. The place is related to Buddhism but not directly to the life of Buddha. It is more related to Ashoka than to Buddha. Ashoka built the first Stupa and put up many pillars here. The crown of famous Ashoka pillars,with four lions standing back to back,has been adopted as the national emblem of India.
Sanchi adopted Buddhism,which replaced the prominent Hinduism. But time took its toll and slowly both the Stupas and the place was forgotten. In 1818 Sanchi was rediscovered and gradually historical and the religious significance of the place was recognized. Restoration work of the Stupas started in 1881 and finally between 1912 and 1919 these were carefully repaired and restored. It was accepted that the structure at Sanchi were the most organized construction which went into the engineering of temples in the medieval period. The carvings here are done with the precision of Jewellers.
Despite the damage and restoration work done Sanchi is the most evocative and attractive Buddhist site in India. Sanchi is primarily a place of Stupas and pillars but the gorgeous gateways add grace to the place. These gateways are beautifully carved and carry scenes from the life of Buddha or Ashoka. These gateways are the finest specimens of early classical art,which formed the seedbed of entire vocabulary of later Indian art. The images carved on the pillars and the Stupas tell moving stories of the incidents from the life of Buddha.
It was Emperor Asoka who laid the foundations of a religious centre at Sanchi fascinated probably by the location of the hill or because of his Queen Devi, who was the daughter of a merchant of Vidisha. He erected the Great Stupa (Stupa 1) here after redistribution of mortal remains of Lord Buddha for erecting several stupas all over the country in order to spread Buddhism. This stupa was originally a low structure of brick, half the diameter of the present edifice hemispherical in shape with raised terraces at the base. It was enclosed by a wooden railing and a stone umbrella at the top. This Great Stupa served as a nucleus to the large Buddhist establishment during the later period.
During Sunga times, several edifices were raised at Sanchi and its surrounding hills. The Asokan stupa was enlarged and faced with stones and decorated with balustrades, staircases and a harmika on the top.
In the first century BC the Andhra-Satavahanas, who had extended their sway over the eastern Malwa, caused the elaborately carved gateways to Stupa 1. The Great Stupa of Sanchi displays an austere grandeur and the exquisite carvings of the doorway depict in detail the significant episodes and miracles from Lord Buddha’s life and events depicted in the Buddhist Jataka stories.
The reconstruction of Temple 40 and erection of Stupas 2 and 3 also seem to date back around the same time.
From the second to fourth century AD Sanchi and Vidisha came under the Kushanas and Kshatrapas and subsequently passed on to the hands of the Guptas. During the Gupta period some temples were also built and sculptures were added displaying the classical grace and simplicity of the era. Further, statues of Lord Buddha seated in the canopies facing the four entrances of the Great Stupa were also added. Sanchi also flourished during the 7th 12th centuries A.D. when shrines and monasteries were continued to be added. Thus Sanchi displays harmonious co-existence of Hindu and Buddhist faiths.
Since the fourteenth century Sanchi remained deserted and uncared for till 1818 when General Taylor rediscovered the site. Sir John Marshall established an archaeological museum in 1919, which was later transformed into the present site museum at Sanchi.
Presently under an UNESCO project Sanchi and Satdhara, a Buddhist site, 10 km south-east of Sanchi, is being further excavated, conserved and environmentally developed.
Sanchi adopted Buddhism,which replaced the prominent Hinduism. But time took its toll and slowly both the Stupas and the place was forgotten. In 1818 Sanchi was rediscovered and gradually historical and the religious significance of the place was recognized. Restoration work of the Stupas started in 1881 and finally between 1912 and 1919 these were carefully repaired and restored. It was accepted that the structure at Sanchi were the most organized construction which went into the engineering of temples in the medieval period. The carvings here are done with the precision of Jewellers.
Despite the damage and restoration work done Sanchi is the most evocative and attractive Buddhist site in India. Sanchi is primarily a place of Stupas and pillars but the gorgeous gateways add grace to the place. These gateways are beautifully carved and carry scenes from the life of Buddha or Ashoka. These gateways are the finest specimens of early classical art,which formed the seedbed of entire vocabulary of later Indian art. The images carved on the pillars and the Stupas tell moving stories of the incidents from the life of Buddha.
Buddhist Monuments at Sanchi (1989), Madhya Pradesh
Sanchi, variously known as Kakanaya, Kakanava, Kakanadabota and Bota-Sriparvata in ancient times, has a singular distinction of having remarkable specimen of Buddhist art and architecture right from the early Mauryan period (c. third century BC to twelfth century AD). Sanchi is famous in the world for stupas, monolithic Asokan pillar, temples, monasteries and sculptural wealth.It was Emperor Asoka who laid the foundations of a religious centre at Sanchi fascinated probably by the location of the hill or because of his Queen Devi, who was the daughter of a merchant of Vidisha. He erected the Great Stupa (Stupa 1) here after redistribution of mortal remains of Lord Buddha for erecting several stupas all over the country in order to spread Buddhism. This stupa was originally a low structure of brick, half the diameter of the present edifice hemispherical in shape with raised terraces at the base. It was enclosed by a wooden railing and a stone umbrella at the top. This Great Stupa served as a nucleus to the large Buddhist establishment during the later period.
During Sunga times, several edifices were raised at Sanchi and its surrounding hills. The Asokan stupa was enlarged and faced with stones and decorated with balustrades, staircases and a harmika on the top.
In the first century BC the Andhra-Satavahanas, who had extended their sway over the eastern Malwa, caused the elaborately carved gateways to Stupa 1. The Great Stupa of Sanchi displays an austere grandeur and the exquisite carvings of the doorway depict in detail the significant episodes and miracles from Lord Buddha’s life and events depicted in the Buddhist Jataka stories.
The reconstruction of Temple 40 and erection of Stupas 2 and 3 also seem to date back around the same time.
From the second to fourth century AD Sanchi and Vidisha came under the Kushanas and Kshatrapas and subsequently passed on to the hands of the Guptas. During the Gupta period some temples were also built and sculptures were added displaying the classical grace and simplicity of the era. Further, statues of Lord Buddha seated in the canopies facing the four entrances of the Great Stupa were also added. Sanchi also flourished during the 7th 12th centuries A.D. when shrines and monasteries were continued to be added. Thus Sanchi displays harmonious co-existence of Hindu and Buddhist faiths.
Since the fourteenth century Sanchi remained deserted and uncared for till 1818 when General Taylor rediscovered the site. Sir John Marshall established an archaeological museum in 1919, which was later transformed into the present site museum at Sanchi.
Presently under an UNESCO project Sanchi and Satdhara, a Buddhist site, 10 km south-east of Sanchi, is being further excavated, conserved and environmentally developed.
 Photo by : husar in Flickr |
 Photo by : husar in Flickr |
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 Photo by : husar in Flickr |
 Photo by : husar in Flickr |
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 Photo by : husar in Flickr |
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 Photo by : fathak in webshots |
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